Contents:
List of illustrations
Acknowledgements
Notes on Contributors
Introduction; Michael Schoenhals and Karin Sarsenov
1. The Constitution of a Reliable Self: Word for Word by Oleg Dorman and Lilianna Lungina; Karin Sarsenov
2. The Post-Communist Afterlife of Dissident Writers: The Case of Herta Müller; Anamaria Dutceac Segesten
3. Challenging the 'Holocaust-reflex': Imre Kertész's Fatelessness: A Novel; Anders Ohlsson
4. Ulrike and the War: World War II, Mass Dictatorship and Nazism in the Eyes of a German Girl ; Bibi Jonsson
5. Through the eyes of a child: Childhood and Mass Dictatorship in Modern European Literature; Karin Nykvist
6. Is Fictional Literature Incapable of Imagining the Shoah?; Björn Larsson
7. Politics, Imagination and Everyday Life in Nadine Gordimer's The Pickup; Seonjoo Park
8. Innocence by Association? Everyday Nazism on DVD; Mats Jönsson
9. The Good, the Bad and the Collaborators: Swedish World War II Guilt Redefined in Twenty-First Century Crime Fiction?; Kerstin Bergman
10. Who are 'we'?: The Dynamics of Consent and Coercion in Yi Mun-gu's Our Neighbourhood; Shin Hyung-ki
11. Swedish Proletarians towards Freedom. Ideals of Participation as Propaganda in the Communist Children's Press of the 1920s; Jimmy Vulovic
12. The Masses in Their Own Write (and Draw): A Heroes' Register from the Great Cultural Revolution in Yunnan; Michael Schoenhals
Postscript; Naoki Sakai
Authors:
Michael Schoenhals is Professor of Chinese at Lund University, Sweden. He was a contributor to previous volumes in the Mass Dictatorship series, and a co-editor of the volume entitled Mass Dictatorship and Modernity. He has published extensively on society and politics in the People's Republic of China, including Mao's Last Revolution (2006; co-authored by Roderick MacFarquhar), a major history of the Cultural Revolution, and most recently, Spying for the People: Mao's Secret Agents, 1949–1967 (2013).
Karin Sarsenov is Associate Professor in Russian Studies at Malmö University, Sweden. She has published extensively on Russian women's literature, including a monograph and a co-edited volume on Nina Sadur. She has conducted projects on women's autobiography, representations of Russian marital migration in literature and film and the Russian literature curriculum.